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Top Ten Redwall Characters

24 Thursday Jan 2013

Posted by roseredprince in Top Tens

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Basil Stag Hare, Brian Jacques, Cluny the Scourge, Gonff, Luke the Warrior, Mariel, Martin the Warrior, Matthias, Redwall, Rose, Silent Sam, Tsarmina

Mossflower Cover ArtIt’s been some time since I finished reading the entire Redwall series but I’m not done with it yet. It’s time to take a look at the best characters in the saga and narrowing down the potentials to just ten was not easy. The classic figures cut include such heroes as Methuselah, Dandin, Sunflash the Mace and Mattimeo, heroines like Constance, Cornflower and Lady Cregga Rose Eyes and the villainous Badrang, Ublaz, Asmodeus and Slagar the Cruel. With characters like those left out you know the top ten will be made up of legends. Continue reading »

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Book Review: Mattimeo – Brian Jacques

20 Tuesday Dec 2011

Posted by roseredprince in Book Reviews

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adventure, Brian Jacques, fantasy, General Ironbeak, Malkariss, Matthias, Mattimeo, Redwall, Slagar

And now, well over a year after my review of Mossflower, we wrap up the original Redwall trilogy and the last of the great books in the venerable series (unless one of the final handful of titles can pull something incredible out of the bag), 1989’s Mattimeo, a direct sequel to Redwall.

Some seasons after the defeat of Cluny the Scourge the inhabitants of Redwall Abbey are enjoying the peace that has reigned there while preparing for a summer feast. Among them is the son of Matthias the Warrior, Mattimeo, a bright young mouse whose hot-headedness and confrontational nature are a cause for concern for his parents. While the Abbeydwellers are enjoying their feast they are entertained by a group of travelling circus performers who are really slave drivers in disguise, led by the villainous Slagar the Cruel who masterminds the kidnapping of Mattimeo and a number of other youngsters. Matthias, Basil Stag Hare and Jess Squirrel set out to rescue their offspring. The peace at Redwall doesn’t last long in the aftermath either as raven General Ironbeak and his band of crows and magpies descend on the abbey in an attempt to claim the building for themselves.

Mattimeo might be one of the most eventful books in the series, packed with incident and adventure from the outset, and despite being one of the lengthiest entries in the Redwall canon flies along at a brisk pace that never leaves a dull chapter. The strength of the book lies both in its involving plot and the characters that enrich it. Much of the original Redwall cast return and are as strongly conceived and likeable as ever but it’s a triumvirate of new villains that make this book’s characters stand out. In truth it’s just two new villains since Slagar is in truth a returning character too. The fox, known as Chickenhound in Redwall survived his encounter with Asmodeus but not without horrible disfiguration and a burning vendetta against Redwall driven by mad notions of revenge against the creatures he inexplicably blames for his ordeal.

Slagar is not the unforgettable villain Cluny was but he is among the best in a proud tradition of series nasties nonetheless. He’s an altogether different proposition from Cluny, less reliant on brute force and strength in numbers with a greater focus on strategy, shady dealings and good old-fashioned deviousness than the rat general. His influence and impact on the whole feel of Mattimeo is hard to overstate, the lion’s share of the story happens because of him and he is a powerful presence in every scene he features in. Second is General Ironbeak, a cruel and overconfident raven who provides more than ample antagonism for the inhabitants of Redwall and comes closest of the many would-be conquerors of the abbey in the series to actually achieving that goal. Finally there is Malkariss, who balances this trio of evil as the most mysterious and frightening of the three, injecting the back end of the book with real menace and power. To say more about him would be to stray dangerously close to spoiler territory but he rounds off the strongest line-up of baddies the saga has produced.

So it’s handy that there’s a suitably superb set of heroes to oppose them. Matthias returns as a dependable and stalwart protagonist, carrying on from where his character arc left off at the end of the previous book and serving as a perfect heir for Martin the Warrior. The title character is an altogether more interesting proposition. Mattimeo is a flawed, even brattish boy whose pride at his position as the Abbey Warrior’s son lends his character the kind of fallibility that gives him the room to learn from his ordeals. It’s another pretty obvious arc but it’s satisfying. The friends who share his unenviable situation in the slave lines provide excellent support for his character, among them the returning Tim and Tess Churchmouse, both featuring far more prominently than before, and of course the no longer silent Sam Squirrel who probably could have been used a bit more. They’re a good bunch, easy to root for but their story allows a little tension between them. Mattimeo’s mother Cornflower has a bigger role this time round, serving as the chief protagonist in the Redwall-set storyline. Then there are some new protagonists such as Orlando the Axe, a mighty badger warrior hunting Slagar with the aim of liberating his own kidnapped daughter from the slavers, and Jabez Stump the hedgehog who has a similar predicament. Then there’s rhyming owl Harry the Muse, the fierce Stryke Redkite, hydrophobic otter Cheek and the return of the Guerrilla Union of Shrews in Mossflower, the list goes on.

The strength of the plot is in its simplicity. It is essentially a chase story accompanied by another siege story. The pursuit of Slagar has tension and urgency throughout and the frequent exciting happenings from adventures involving everything from cave-ins to earthquakes. The journey leads hero and villain alike to a southern region of the series’ map that wasn’t revisited until the disappointing Loamhedge and lends the story a curious sense of mystery in the context of the series. At Redwall the same old story of underdog defenders fending off burly encroachers is kept interesting and varied with moments of both peril and comedy and the climax of both stories offer hugely satisfying payoffs.

Mattimeo is undoubtedly among the highlights of a very lengthy series that confirms Jacques was at his best in the early days. Redwall, Mossflower and Martin the Warrior are probably all better but it’s a fine line and there’s no shame in coming forth behind those three. Naturally it’s a cracking novel in its own right and a book no fan of the author or the series should ignore.

Verdict

A rollicking and varied adventure yarn that does everything right, delivering exciting action, epic scope and memorable characters. A fine sequel to Redwall and a robustly brilliant escapist tale.

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Book Review: Redwall – Brian Jacques

11 Tuesday Oct 2011

Posted by roseredprince in Book Reviews

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adventure, Brian Jacques, Cluny the Scourge, fantasy, Matthias, Redwall

I come to this, a review I’ve been building to ever since I started this blog about a year ago, at an inconvenient time. I finished reading Brian Jacques’ first published novel, 1986’s Redwall about three weeks ago but due to a combination of working long hours and spending a week in New York for my brother’s wedding haven’t had the opportunity to review it until now. I prefer to review something very soon after finishing with it so that it’s fresh in my mind but in the circumstances will have to do my best to convey why I consider this to be my favourite book, the work of fiction that inspired my lifelong dream to be an author.

 

Redwall and its twenty-one sequels and prequels is set in an imaginary period world inhabited by anthropomorphic animals including mice, hedgehogs, squirrels, moles, rats, ferrets, foxes and many more besides. The central setting of the series is Redwall Abbey, a marvellous red sandstone structure home to a peaceful order of healer mice who thrive in simple happiness. Hero of this opening chapter in the lengthy saga is Matthias, a young orphan mouse struggling to fit in among the serene and composed Abbeydwellers who idolises the legendary Marin the Warrior, one of the abbey founders, a brave and mighty warrior mouse of long ago immortalised by his likeness in the abbey’s famous tapestry.

It is the Summer of the Late Rose and the woodland creatures are enjoying Abbot Mortimer’s Jubilee celebrations in the traditional Redwall way, with a hearty feast. Following the merriment when Matthias is escorting the Fieldmouse family home to the nearby St Ninian’s Church they witness a hay cart full of hundreds of murderous rats headed by one particularly fearsome vermin tearing past on the road. This hellish rat is Cluny the Scourge, an evil warlord so legendary and feared that his is the name mothers use to scare their children into behaving. Cluny and his cutthroat army take up residence in St Ninian’s and lay down plans to conquer Redwall Abbey. So begins a siege story full of daring rescues perilous questing, fiendish riddles and unforgettable characters.

What strikes you as you read Jacques’ first book is just how different it is from the rest of the series. The same basic formula applies but it is delivered in a noticeably less regimented style. His earliest work is actually his best written filled with linguistic touches and turns of phrase that might be deemed more advanced than what most of his subsequent work offers. But more than that it is clear that Jacques hadn’t yet fully defined his fantasy world at this point. There are moments in the story that subtly suggest that we might be in a world similar to one of Jacques greatest influences The Wind in the Willows which places these anthropomorphic characters alongside regular humans. No humans feature in the book but there are faint suggestions of them in innocuous little moments that would probably go over the heads of anyone but a long-time fan of the series. St Ninian’s Church, for example seems to be a run-down place abandoned by the humans that built it before it became home to mice. There is even the sense that the building might be as huge as a church would be compared to a real mouse. One thing it is not is a functioning place of worship. These things are only inferred – there is no explicit evidence that Jacques’ early intentions for his Narnia to be populated by humans at all. One unquestionable detail is the presence of non-anthropomorphic animals, namely the horse that pulls the rat horde’s cart near the beginning as seen on the vivid and dramatic cover art. Another character, a cat named Squire Julian Gingivere, possibly a descendent of Mossflower’s Gingivere seems to be much larger than Matthias the mouse and apparently walks on four paws. There are no other non-anthropomorphic characters like this anywhere else in the series and there are a few other species mentioned that never recur, such as the abbey’s unnamed resident beaver, and references to dogs and stags. It’s an oddity to read about these things that didn’t continue in the series and lends the first book an air of mystery and depth absent from the later entries. Although in many ways these details seem evident of a setting not fully thought through they do not detract at all from a quite brilliant adventure tale and it is important to remember that this book laid the foundations for twenty-one followers.

Almost every series convention that repeated again and again throughout the series started here. Apart from introducing Redwall itself and the peaceful nature of its inhabitants this was the first book to involve a siege story; established the importance of Martin the Warrior and his sword; laid out the various important roles within the abbey and the particular species usually seen occupying them (badger mother, cellerhog, etc.); determined the recurring characteristics of each of those species, such as the quaint speech of the friendly moles and the upper-class English-accented gluttonous hares; introduced the concept of the Guerrilla Union of Shrews in Mossflower or Guosim and their argumentative ways; established the mystical gypsy-like qualities commonly endowed to female foxes; gave us the first terrifying monster character in Asmodeus the Adder and features the series’ first and best riddles. Most importantly it gave us the concept of the vermin horde, the nasty, murderous gangs of filthy rodent creatures, mainly rats who kill and plunder under the command of an almighty and evil warlord. Every villain in the series is some imitation or variation on Cluny the Scourge, possible the series’ most memorable character, a truly crazed and vicious villain who treats his own subordinates with as much cruelty as those he strives to conquer. The villains drive every story in the series and Cluny’s contribution is inestimable.

So what is it that makes Redwall stand out above every other book in the series including the magnificent Mossflower, which, lest we forget, told the story of Martin the Warrior himself and related the events that led up to the founding of the abbey and was the subject of my first ever review of any kind? The answer is pretty simple. This is the best story and has the best characters. Matthias may be slightly overshadowed by the ancient hero he adores in the wider context of the series as a whole but that doesn’t change the fact that he is a hugely likeable second-best hero and the kind of spirited underdog anyone can root for. His efforts which follow his various attempts to thwart Cluny’s invasion and the search for Martin’s long lost sword form the backbone of the plot. The story moves quickly from episode to episode. If one thing above all others holds back the quality of the later books in the series it’s that not enough of interest happens. Jacques crams these four hundred odd pages with incident from the exciting chapter in which the mysterious Shadow steals Martin’s likeness to the moment Matthias’ love interest Cornflower foils an invasion attempt by burning down the horde’s siege tower there’s never a dull moment. The best part is the endlessly engaging quest for the sword which is where the riddles come in. These riddles have long been a Redwall staple and serve as a brilliant way to immerse you in the story as you try to work out the clues for yourself but the journey Matthias faces is what will really stay with you. The section where the young hero must make his way to the abbey roof by following a route up inside the building is a particular highlight.

One approach that particularly characterises Jacques’ work is the amount of time given to his villains. Half the chapters cast the villainous Cluny as the main character as we learn all about his plans and follow large portions of the many attack sequences from the point of view of him and his horde. The army itself is also interesting. Since these unpleasant minor baddies fulfil the same role in every book their characters never change much but it’s their names that paint the most vivid picture. With monikers like Darkclaw, Scumnose, Redtooth and Mangefur they make for brilliantly comic creations, some with their own diverting story arc’s such as Cheesethief’s rivalry with Scragg the weasel.

The decent characters too prove consistently memorable, such as the severe female badger Constance, the ancient recorder and scholar Methuselah, and the brilliantly eccentric campaigner Basil Stag Hare. Many of these figures recur in spirit throughout the series but there are some that remain unique such as the feisty sparrow Warbeak and the brilliantly amusing infant squirrel Silent Sam. It’s a terrific cast.

Possibly the most important reason why Redwall had such a vast influence on me however is the setting. Redwall Abbey is an absolutely vivid creation, the equal, in my opinion, of J K Rowling’s Hogwarts. A magical place of peace and plenty that houses many mysteries and adventures. Setting is one of the most important elements of adventure storytelling and Redwall remained strong and constant through a very lengthy series. In this first novel nothing is more important as the whole plot revolves around the sandstone structure. It’s also just about the only book in the series that takes place almost entirely in one place with very limited wandering to other locations. It’s a superb creation and the stories that have been set there have been wonderful. But none more so than the first.

Verdict

Brian Jacques’ first book remains his best. It’s an eventful story filled to the brim with exciting twists and turns great characters and enticing mystery. Only a debut as strong as this could possibly lay the foundation for another twenty-one books.

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